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THE CURRENT

From coast to city, mountain to country - a collection of rooms curated for The Current, Vol. 2

Interiors by S.R. Gambrel

Urban Electric lighting
Orford shown in blackened copper finish with bronze accents and opal glass. Interiors by Richard Felix-Ashman. Photography by Aaron Leitz.
Orford
Betty Flushmount shown in antique brass finish with etched glass. Interiors by Christine Markatos. Photography by Manolo Langis.
Betty Flushmount
Malplaquet shown in a custom finish, customized. Interiors by Bonesteel Trout Hall. Architecture by Eric Olsen. Photography by Karyn Millet.
Malplaquet - Modified
CHP shown in antique brass finish with translucent antique mirror glass. Interiors by Katie Rosenfeld. Photography by Read McKendree.
CHP
Urban Smokebell shown in bronze finish with translucent mirror on clear glass. Interiors by Philip Mitchell. Photography by Annie Schlechter
Urban Smokebell
Vic on Bracket shown in antique silver gilt finish with clear glass and clear glass accent. Interiors by Kathleen Hay as seen in 167 Raw, Charleston, SC.
Vic on Bracket
Bowline shown in blackened pewter finish and partially etched glass. Interiors by Phoebe Howard. Photography by Josh Gibson.
Bowline
Winston shown in polished brass unlacquered finish with clear glass. Interiors by Bunny Williams. Photography by Francesco Lagnese.
Winston
Clover shown in RAL #5003 Sapphire Blue powder coat with polished brass unlacquered accent and clear glass. Interiors by Amie Corley. Photography by Ashley Gieseking.
Clover
Mac shown in RAL #7012 Basalt Grey powder coat with hewn brass accents and hewn brass shade interior finish. Interiors by Nelson Collective. Photography by Nathan Kirkman.
Mac
Marlborough shown in heirloom finish with partially etched glass. Interiors by Alexander Doherty. Photography by Marius Chira.
Marlborough
Campion shown in heirloom finish with antique brass accents. Interiors by Phoebe Howard. Photography by Josh Gibson.
Campion
Gibson shown in vintage finish with hewn brass accents. Interiors by Amelia Handegan. Photography by Brie Williams.
Gibson
Benson shown in polished nickel finish with RAL #1027 Curry accents. Interiors by Alexander Doherty. Photography by Marius Chira.
Benson
From left: Push shown in white finish with white accents. Folie Flushmount shown in white finish with white accents. Interiors by Tim Campbell. Photography by Karyn Millet.
Push
Clipper shown in black finish with black accents and clear ribbed glass. Interiors by Kathleen Hay as seen in 167 Raw, Charleston, SC.
Clipper
Bespoke pendant shown in hewn brass finish with a custom shade. Interiors by Philip Mitchell Design. Photography by Annie Schlechter.
Commissioned
Hamilton shown in hewn brass lacquered finish with Benjamin Moore #1315 Poppy interior. Interiors by Summer Thornton. Photography by Thomas Loof.
Hamilton
From left: Mac shown in RAL #7012 Basalt Grey powder coat finish with hewn brass accents and hewn brass shade interior finish. Jackson shown in bronze finish with antique brass accents. Interiors by Scheer & Co. Photography by Ryann Ford.
Mac
Grayfoy shown in antique brass finish with blackened pewter accents and clear glass. Interiors by Steven Gambrel. Photography by Eric Piasecki.
Grayfoy
Boxbridge shown in polished nickel with polished nickel accents, blackened steel bracket and ribbed glass. Interiors by Steven Gambrel. Photography by Eric Piasecki.
Boxbridge
Chelsea shown in bronze finish with antique brass accents and clear glass. Interiors by Haus Love. Photography by Ashlee Kindred.
Chelsea
Mac shown in black finish with hewn brass accents and hewn brass shade interior finish. Interiors by Mary McDonald. Photography by Douglas Friedman.
Mac
From left: Folie Flushmount shown in white finish. Hibiscus Floor shown in heirloom finish with heirloom accents and shade SH-148E-WHT-LIN. Interiors by Tim Campbell. Photography by Karyn Millet.
Folie Flushmount
Scoop shown in hewn brass finish with custom powder coat match Farrow & Ball No. 230 Calamine. Interiors by Jenny Keenan. Photography by Julia Lynn.
Scoop
Harford shown in Benjamin Moore Simply White #OC-117 paint selection finish with blackened pewter accents and opal glass. Interiors by Jake Alexander Arnold, 4C Design Group. Photography by Michael Clifford.
Harford
Downing shown in bronze finish with antique brass accents and a white linen shade. Interiors by Secretcape.
Downing
Rex Table shown in hewn brass finish with hewn brass accents. Interiors by Tim Campbell. Photography by Karyn Millet.
Rex Table
Whitby shown in hewn brass finish with shade SH-140C-PT (Farrow and Ball No. 47 Green Smoke with gilt interior). Interiors by Haus Love. Photography by Ashlee Kindred.
Whitby
NYC shown in polished nickel finish with Benjamin Moore #2003-10 Million Dollar Red accents and etched glass. Interiors by Ike Kligerman Barkley. Photography by William Waldron.
NYC
From left: Malplaquet Double shown in Farrow & Ball #289 Inchyra Blue with black accents, black bracket and partially etched glass. Metro shown in hewn brass lacquered finish with a white glass shade. Interiors by Brian Paquette. Photography by Haris Kenjar.
Malplaquet Double
Mac shown in white finish with hewn brass accents and hewn brass shade interior. Interiors by Carrier and Co. Photography by Sam Frost.
Mac
Kardamyli shown in heirloom finish with lavender glass and milk glass accents. Interiors by Alexander Doherty. Photography by Marius Chira.
Kardamyli
Urban Smokebell shown in bronze finish with translucent mirror on clear glass. Interiors by Richard Felix-Ashman. Photography by Aaron Leitz.
Urban Smokebell
Houghton shown in antique brass finish with bronze accents. Interiors by Steven Gambrel. Photography by Eric Piasecki.
Houghton
Harford shown in Benjamin Moore #HC-156 Van Deusen Blue paint selection finish with polished nickel accents and opal glass. Interiors by Kathleen Hay as seen in 167 Raw, Charleston, SC.
Harford
Yves Hang shown in heirloom finish with heirloom accents and clear glass, scalable. Interiors by ASR Studios.
Yves Hang - SCALABLE
Jackson shown in black finish with hewn brass lacquered accents. Interiors by Bonesteel Trout Hall. Architecture by Eric Olsen. Photography by Karyn Millet.
Jackson
Stamp hang regular shown in RAL #6009 Fir Green powder coat finish with antique brass accents. Interiors by Elena Phillips. Photography by Jane Beiles.
Stamp
Farmleigh shown in blackened pewter finish with milk glass, customized. Interiors by S.R. Gambrel. Photography by Eric Piasecki.
Farmleigh
Ravenspoint shown in black with clear glass. Interiors by Summer Thornton. Photography by Luke White.
Ravenspoint
Chiltern shown in hewn brass finish with hewn brass accents. Shades shown in white finish with hewn brass interior. Interiors by Jenkins Interiors. Photography by Framework Creative.
Chiltern
Lyford Wall shown in black finish and seeded glass. Interiors by Philip Mitchell. Photography by Annie Schlechter.
Lyford Wall
Huntley shown in antique brass with clear glass. Interiors by Tracy Hardenburg.
Huntley
Stable shown in blackened copper finish with clear glass. Interiors by Palmer Weiss. Photography by William Waldron.
Stable
Hamilton shown in antique brass finish with Benjamin Moore #1323 Currant Red interior finish and shade SH-108C-WHT. Interiors by Palmer Weiss. Photography by William Waldron.
Hamilton
From left: Chiltern Double shown in antique brass finish with polished brass accents. Shades shown in custom powder coat match RAL #7048 Pearl Mouse Grey with hewn brass interior. Gibson shown in vintage finish with hewn brass accents. Interiors by Lisa Hilderbrand.
Chiltern Double
Globus shown in antique brass finish with antique brass accents and clear glass. Interiors by Richard Felix-Ashman. Photography by Aaron Leitz.
Globus
Malplaquet shown in white finish with bronze accents and partially etched glass. Interiors by Cashmere Interior. Photography by WK Photography.
Malplaquet
Bishop shown in Benjamin Moore #2175-50 Peach Blossom paint selection finish with Benjamin Moore #2175-50 Peach Blossom accents. Interiors by Ken Fulk. Photography by Reagan Petrehn.
Bishop
Bespoke billiard light. Architecture by Backen & Gillam. Interiors by Kerry Joyce.
Commissioned
Lundy Flushmount shown in Benjamin Moore #HC-169 Coventry Gray paint selection with polished brass unlacquered accents. Whitby shown in polished brass unlacquered finish with shade SH-140C-WHT. Interiors by Christine Lane Interiors. Photography by Evan Sklar.
Whitby
Bespoke pot rack light. Architecture by Backen & Gillam. Interiors by Kerry Joyce.
Commissioned
Mac shown in blackened pewter finish with blackened pewter accents and hewn brass shade interior finish as seen in Octavia, San Francisco, CA.
Mac

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