Cubism shown in RAL #7037 Dusty Grey powder coat finish with hewn brass interior, modified. Interiors by Michael Amato.
Cubism - Modified
The Flat shown in polished brass finish with RAL #3003 Ruby Red accent. Interiors by Lyon Field. Photography by Jane Beiles.
The Flat
Cubism shown in RAL #9010 Pure White powder coat finish with Farrow & Ball #256 Pitch Black interior.
Cubism
Thadd shown in pewter finish with seeded glass. Interiors by MG Interiors.
Thadd
Chisholm Hall shown in heirloom finish with clear glass, customized. Interiors by Kate Marker. Photography by John Stoffer.
Chisholm Hall
Porte shown in RAL #5007 Brilliant Blue powder coat finish with polished nickel accents and pot white glass. Interiors by Christine Markatos.
Porte
The Flat shown in hewn brass finish and black accents. Interiors by Melissa + Miller Interiors. Photography by Nathan Schroder.
The Flat
Pop Round shown in heirloom finish with RAL #3013 Tomato Red powdercoat inset and Ferrowatt clear bulb. Interiors by Beata Heuman. Photography by Simon Brown.
Pop Round
Matthew shown in heirloom finish with etched ribbed glass.
Matthew
Stamp shown in RAL #6009 Fir Green powder coat finish with antique brass accents. Interiors by Elena Phillips. Photography by Jane Beiles.
Stamp
The Flat shown in heirloom finish with RAL#7012 Basalt Grey accent. Interiors by Tracey Hardenburg.
The Flat
Marin V.2 shown in white finish with cerused oak wood.
Marin V.2
NYC shown in polished nickel finish with Benjamin Moore #2003-10 Million Dollar Red accents and etched glass. Interiors by Ike Kligerman Barkley. Photography by William Waldron.
NYC
Kardamyli shown in heirloom finish with lavender glass and milk glass accents. Interiors by Ellen Kavanaugh Interiors.
Kardamyli
Forme shown in white finish with hewn brass accents and turquoise acrylic panels. Interiors by Jen Langston.
Forme
From left: Shoreham shown in blackened pewter finish with etched glass. Metro shown in blackened pewter finish with a white glass shade, customized. Interiors by Cari Berg Design.
Shoreham
Lanesborough shown in blackened pewter finish with translucent antique mirror glass. Interiors by Foley & Cox.
Lanesborough
Yves Flushmount shown in hewn brass and translucent antique mirror glass. Interiors by Hollis Erickson Design. Photography by Marni Rothschild Durlach.
Yves Flushmount
Farmleigh shown in blackened pewter finish with milk glass, customized. Interiors by S.R. Gambrel. Photography by Eric Piasecki.
Farmleigh
Bishop shown in zinc finish with zinc accents. Interiors by Gramercy Design. Photography by Shade Degges.
Bishop
From left: Folie Flushmount shown in hewn brass with hewn brass accents. Chisholm Clean shown in black with hewn brass accents and clear glass, customized. Interiors by Wendy Word. Photography by Ryan Garvin.
Folie Flushmount
Rex Flushmount shown in bronze with hewn brass accents. Interiors by Ken Fulk as seen in Legacy Records, London, UK.
Rex Flushmount
From top: Folie Flushmount shown in a custom finish, modified. Audley shown (soft-wired) in hewn brass finish with RAL #7044 Silk Grey accents and shade SH-148E-PT (Farrow & Ball #214 Arsenic). Interiors by Michael Amato.
Folie Flushmount - Modified
Pipe Flushmount shown in RAL #5009 Azure Blue powder coat finish with hewn brass accents. Interiors by Samantha Todhunter Design.
Pipe Flushmount
Shoreham shown in black finish with pot white glass, customized.
Shoreham
Bishop shown in zinc finish with zinc accents. Interiors by Gramercy Design. Photography by Shade Degges.
Bishop
Lex shown in darkened copper finish with etched glass and translucent antique mirror glass accents. Interiors by Josh Greene Design. Photography by Shade Degges.
Lex
From top: Lex shown in antique brass finish with pot white glass and etched glass accents. Garrison Wall shown in heirloom finish with partially etched glass. Interiors by Philip Mitchel Design.
Lex
From top: Pop shown in antique brass finish with antique brass inset. Maison shown in antique brass finish. Interiors by Gina Holz.
Pop
Bishop shown in vintage finish with vintage accents. Interiors by Heidi Caillier Design. Photography by Haris Kenjar.
Bishop
Yves Flushmount shown in polished brass with pot white glass. Interiors by Foley & Cox.
Yves Flushmount
Igby Flushmount shown in black finish with opal glass.
Igby Flushmount
Rex Flushmount shown in black finish with aged lacquer accents.
Rex Flushmount
Yves Flushmount shown in antique brass finish with pot white glass. Interiors by Gerald Pomeroy.
Yves Flushmount
Shoreham shown in bronze finish with pot white glass, customized. Interiors by Heather Wells.
Shoreham
Folie Flushmount shown in hewn brass finish with hewn brass accents.
Folie Flushmount
Jackson shown in white finish with antique brass secondary finish and polished brass accents, modified. Interiors by Sutro Architects.
Jackson - Modified
Marin V.1 shown in hewn brass finish with cerused ebony wood. Interiors by Jen Langston.
Marin V.1
Rookery shown in polished nickel finish with polished nickel accents and etched glass. Interiors by Steven Gambrel.
Rookery
Jackson shown in bronze finish with antique brass secondary finish and antique brass accents. Interiors by Allison Elebash Interiors. Photography by Julia Lynn Photography.
Jackson
Thadd shown in Benjamin Moore #1678 Blue Nose paint selection finish with milk glass, customized. Interiors by J. Jones Design.
Thadd - Modified
Jackson shown in white finish with antique brass secondary finish and gilt accents. Interiors by Jenkins Interiors. Photography by Framework Creative.
Jackson
Yves Flushmount shown in hewn brass finish with pot white glass. Interiors by Noelle Interiors.
Yves Flushmount
The Flat shown in hewn brass with black accent. Interiors by Wendy Word. Photography by Lauren Pressey.
The Flat
Marin V.1 shown in polished nickel finish with cerused oak wood. Interiors by Tracy Hardenburgh Designs.
Marin
Lanesborough shown in antique brass finish with translucent antique mirror on milk glass and translucent mirror on cobalt blue glass accents. Interiors by Christine Markatos.
Lanesborough
Yves Flushmount shown in black finish with milk glass. Interiors by Ike Kligerman Barkley.
Yves Flushmount
Shoreham shown in black finish with pot white glass, customized.
Shoreham
Cubism shown in RAL #9010 Pure White powder coat finish with Farrow & Ball #256 Pitch Black interior. As seen at Henrybuilt's SoHo showroom. Photography by Daniel Bernauer.
Cubism
Kardamyli shown in heirloom finish with lavender glass and milk glass accents.
Kardamyli
Lundy Flushmount shown in RAL #6003 Olive Green powder coat finish with hewn brass accents. Interiors by Charlotte Lucas.
Lundy Flushmount
Lundy Flushmount shown in Farrow & Ball No. 24 Ballroom Blue with polished nickel accents. Interiors by Christine Markatos.
Lundy Flushmount
Yves Flush shown in polished brass and pot white glass. Interiors by Bailey Austin Design. Photography by Laurey Glenn.
Yves Flushmount
Bishop shown in hewn brass finish with hewn brass accents. Interiors by Workstead.
Bishop
Porte shown in RAL #9010 Pure White power coat finish with RAL #9010 Pure White powder coat accents and pot white glass. Interiors by Basic Projects.
Porte
The Flat shown in heirloom finish with RAL #7012 Basalt Grey accent. Interiors by Tracey Hardenburg.
The Flat
Kardamyli shown in heirloom finish with lavender glass and milk glass accents. Interiors by Alexander Doherty. Photography by Marius Chira.
Kardamyli
Malplaquet Flushmount shown in white finish with polished nickel accents and partially etched glass. Interiors by Page Louisell. Photography by Leslee Mitchell.
Malplaquet Flushmount
From top: Stamp Square shown in RAL #6003 Olive Green powder coat finish with antique brass accents. Pencombe Table shown in polished brass unlacquered finish with hewn brass accents and shade SH-160E-WHT.
Stamp Square
Jackson shown in bronze finish with hewn brass secondary finish and hewn brass accents. Interiors by Ken Fulk as seen in Legacy Records, New York, NY.
Jackson
Bishop shown in Benjamin Moore #2175-50 Peach Blossom paint selection finish with Benjamin Moore #2175-50 Peach Blossom accents. Interiors by Ken Fulk. Photography by Reagan Petrehn.
Bishop
Yves Flushmount shown in polished brass finish with pot white glass. Interiors by Michael Amato.
Yves Flushmount
Lundy Flushmount shown in Farrow and Ball #30 Hague Blue paint selection finish with zinc accents. Interiors by Wendy Word. Photography by Ryan Garvin.
Lundy Flushmount
From top: Lanesborough shown in polished nickel finish with pot white glass and milk glass accents. Garrison Wall shown in polished nickel finish with clear glass, customized. Interiors by Ellen Kavanaugh Interiors.
Lanesborough
Yves Flush shown in bronze finish with translucent antique mirror on milk glass. Interiors by Kathleen Hay Designs.
Yves Flushmount
Lundy shown in custom paint selection finish with hewn brass accents. Interiors by Sisters Maison.
Lundy Flushmount
The Flat shown in antique brass finish with custom powder coat match Benjamin Moore HC-156 Van Deusen Blue accents. Interiors by MS Vicas.
The Flat
Thadd shown in pewter finish with seeded glass. Interiors by MG Interiors.
Thadd
Yves Flushmount shown in hewn brass finish with pot white glass. Interiors by Carlyle Design.
Yves Flushmount
Lundy Flushmount shown in Farrow & Ball No. 30 Hague Blue paint selection finish with polished brass unlacquered accents. Interiors by Christine Markatos.
Lundy Flushmount
Betty Flushmount shown in antique brass finish with etched glass. Interiors by Christine Markatos.
Betty Flushmount
Rex Flushmount shown in hewn brass with hewn brass accents. Interiors by Elizabeth Lawson Design.
Rex Flushmount
Forme shown in antique brass finish with heirloom accents and smoke acrylic panels. Interiors by Heather Wilson.
Forme
Marin V.1 shown in polished brass finish with cerused ebony wood. Interiors by Hendricks Churchill.
Marin V.1
Jackson shown in black finish with hewn brass secondary finish and hewn brass accents. Interiors by Bonesteel Trout Hall. Architecture by Eric Olsen. Photography by Karyn Millet.
Jackson
From left: Farmleigh shown in blackened pewter finish with hammered black secondary finish and hewn brass accents. The Hand Sconce shown in heirloom finish. Interiors by Build Theory. Photography by Morgan Ione Yeager.
Farmleigh
Lanesborough shown in antique brass finish with translucent antique mirror on milk glass and translucent mirror on cobalt blue glass accents. Interiors by Phillip Thomas Interiors. Photography by Michael Mundy.
Lanesborough
From left: Folie Flushmount shown in white finish with white accents. Hibiscus Floor shown in heirloom finish with heirloom accents and shade SH-148E-WHT-LIN. Interiors by Tim Campbell. Photography by Karyn Millet.
Folie Flushmount
Rex Flushmount shown in black finish with aged lacquer accents.
Rex Flushmount
Kardamyli shown in heirloom finish with lavender glass and milk glass accents. Interiors by Cravotta Interiors. Photography by Ryann Ford.
Kardamyli
Folie Flushmount shown in white finish with white accents.
Folie Flushmount
Lex shown in bronze finish with seeded glass, customized. Interiors by Alexis Hughes & Co.
Lex - Modified
Jackson shown in RAL #1027 Curry powder coat finish with polished nickel secondary finish and gilt accents.
Jackson
Jackson shown in bronze finish with antique brass secondary finish and gilt accents. Interiors by Amanda Barnes.
Jackson
Bishop shown in bronze finish with bronze accents. Interiors by Cortney Bishop Design.
Bishop
Lundy Flushmount shown in Farrow & Ball #30 Hague Blue paint selection finish with zinc accents. Interiors by Wendy Word.
Lundy Flushmount
Lanesborough shown in antique brass finish with translucent antique mirror on milk glass and translucent mirror on cobalt blue glass accents. Interiors by Philip Mitchell.
Lanesborough
Lundy shown in Benjamin Moore #HC-169 Coventry Gray paint selection with polished brass unlacquered accents. Whitby shown in polished brass unlacquered finish with shade SH-140C-WHT. Interiors by Christine Lane Interiors.
Lundy Flushmount
Jackson shown in white finish with hewn brass secondary finish and hewn brass accents. Interiors by Ellen Kavanaugh.
Jackson
Jackson shown in blackened pewter finish with hewn brass secondary finish and hewn brass accents. Interiors by Noelle Interiors.
Jackson
From top: Brick shown in vintage finish with milk glass. Piedmont shown in bronze finish with seeded glass.
Brick
From left: Bohicket Wall shown in hammered black finish with seeded glass. Malplaquet Flushmount shown in white finish with black accents and partially etched glass. Interiors by Noelle Interiors.
Malplaquet Flushmount
Marin V.2 shown in RAL #6032 Signal Green powder coat finish with cerused oak wood. Interiors by Jenny Fischbach.
Marin V.2
Lex shown in blackened pewter finish with ice glass.
Lex
Kardamyli shown in heirloom finish with milk glass and milk glass accents.
Kardamyli
Lundy Flushmount shown in Benjamin Moore #031 Georgia Peach paint selection finish with hewn brass accents. Interiors by Amie Corley.
Lundy Flushmount
Pop shown in black finish with white power coat inset and Ferrowatt clear bulb.
Pop
Lex shown in antique brass finish with pot white glass and etched glass accents, customized. Interiors by Foley & Cox.
Lex - Modified
Pop shown in hewn brass finish with custom wallpaper inset and white globe bulb. Interiors by Garden & Gun as seen at the Field Shop at the Dewberry, Charleston, SC.
Pop
Pop shown in blackened pewter finish with antique mirror on milk glass inset and silver-tipped bulb. Interiors by Cari Berg Design.
Pop
Pop shown in polished nickel finish with RAL #4010 Telemagenta powder coat inset and Ferrowatt clear bulb. Interiors by Jenny Fischbach.
Pop
Stamp shown in RAL #5003 Sapphire Blue powder coat finish with hewn brass accents.
Stamp
Kardamyli shown in heirloom finish with pot white glass and pot white glass accents. Interiors by Liz Caan.
Kardamyli
Pop Round shown in hewn brass finish with hewn brass inset and Ferrowatt clear bulb. Interiors by Charles and Co. Design.
Pop Round
Lundy Flushmount shown Benjamin Moore #PM-7 Platinum Gray paint selection finish with polished brass accents. Interiors by Michael Amato.
Lundy Flushmount
Betty Flushmount shown in hewn brass with Benjamin Moore #BM-008 Pale Pink accents and etched glass, customized. Interiors by Ellen Kavanaugh.
Betty Flushmount
Lundy Flushmount shown in RAL #5009 Azure Blue powder coat finish with polished nickel accents. Interiors by Monica Fried Design.
Lundy Flushmount
Kardamyli shown in heirloom finish with lavender glass and milk glass accents, customized. Interiors by Steven Gambrel.
Kardamyli
Brick shown in blackened copper finish with milk glass.
Brick
Lex shown in antique brass finish with translucent antique mirror on clear glass, customized. Interiors by Maggie Nielson.
Lex - Modified
Mini Lex shown in gunmetal finish with translucent antique mirror on milk glass and milk glass accents. Interiors by Foley & Cox.
Mini Lex
Chisholm Passage Round shown in white finish with pot white glass.
Chisholm Passage Round
NYC shown in polished nickel finish with Benjamin Moore #2003-10 Million Dollar Red accents and etched glass.
NYC
Bishop shown in hewn brass finish with hewn brass accents. Interiors by Michael Amato.
Bishop
Marin V2 shown in Cerused Oak and White.  Interior by Gina Holtz Designs
Marin v2
Malplaquet Flushmount shown in RAL #7038 Agate Grey powder coat finish with bronze accents and partially etched glass. Interiors by Michael Amato.
Malplaquet Flushmount
Vitrine shown in RAL #8000 Green Brown powder coat finish with polished nickel accents.
Vitrine
Marin V.2 shown in white finish with cersued oak wood. Interiors by Cortney Bishop Design.
Marin V.2
From top: Marin V.1 shown in polished nickel finish with walnut wood. Hull shown in hewn brass finish and Benjamin Moore #2060-10 Symphony Blue custom powder coat match accents and opal glass. Interiors by Foley & Cox.
Marin V.1
Jackson shown in bronze finish with antique brass secondary finish and gilt accents. Interiors by David Thompson Architect as seen in FIG, Charleston, SC.
Jackson
Mini Lex shown in antique brass finish with pot white glass, customized. Interiors by Monica Fried Design.
Mini Lex - Modified
NYC shown in polished nickel finish with Benjamin Moore #2025-30 New Lime accents and etched glass.
NYC
Marin V.2 shown in white finish with cersued oak wood. Interiors by Brooke Wagner Design.
Marin V.2
Kardamyli shown in heirloom finish with lavender glass and milk glass accents.
Kardamyli
Chisholm Passage Square shown in pewter finish with pot white glass.
Chisholm Passage Square
Jackson shown in black finish with black secondary finish and black accents. Interiors by Cari Berg Design.
Jackson
Chisholm Passage Square shown in custom powder coat match Benjamin Moore #2169-30 Oriole finish with pot white glass. Interiors by Massucco Warner Miller.
Chisholm Passage Square
NYC shown in polished nickel finish with Benjamin Moore #2067-10 Midnight Navy accents and etched glass.
NYC
Brick shown in bronze finish with pot white glass.
Brick
Chisholm Passage Round shown in pewter finish with pot white glass. Interiors by Ike Kligerman Barkey Architects.
Chisholm Passage Round