Yves Flushmount shown in polished brass finish with pot white glass. Interiors by Michael Amato.
Yves Flushmount
Thadd shown in pewter finish with seeded glass. Interiors by MG Interiors.
Thadd
From top: Stamp Square shown in RAL #6003 Olive Green powder coat finish with antique brass accents. Pencombe Table shown in polished brass unlacquered finish with hewn brass accents and shade SH-160E-WHT.
Stamp Square
Rex Flushmount shown in black finish with hewn brass lacquered accents. Interiors by Whittney Parkinson. Photography by Sarah Shields.
Rex Flushmount
Rook shown in polished brass finish with antique brass accents and pot white glass. Interiors by Ellen Kavanaugh Interiors.
Rook
Lundy shown in custom paint selection finish with hewn brass accents. Interiors by Sisters Maison.
Lundy Flushmount
Lanesborough shown in antique brass finish with translucent antique mirror on milk glass and translucent mirror on cobalt blue glass accents. Interiors by Christine Markatos.
Lanesborough
Capse Flush shown in polished brass finish. Interiors by Basic Projects.
Capse Flush
Rex Flushmount shown in hewn brass with hewn brass accents. Interiors by Elizabeth Lawson Design.
Rex Flushmount
Punch shown in polished nickel finish with bronze accents. Interiors by Cravotta Interiors. Photography by Ryann Ford.
Punch
Rex Flushmount shown in black finish with aged lacquer accents.
Rex Flushmount
Yves Flushmount shown in polished brass finish with pot white glass. Interiors by Nylon Consulting.  Photography by Patrick Cline.
Yves Flushmount
Jackson shown in black finish with hewn brass secondary finish and hewn brass accents. Interiors by Bonesteel Trout Hall. Architecture by Eric Olsen. Photography by Karyn Millet.
Jackson
Yves Flushmount shown in hewn brass finish with pot white glass. Interiors by Noelle Interiors.
Yves Flushmount
From top: Folie Flushmount shown in a custom finish, modified. Audley shown (soft-wired) in hewn brass finish with RAL #7044 Silk Grey accents and shade SH-148E-PT (Farrow & Ball #214 Arsenic). Interiors by Michael Amato.
Folie Flushmount - Modified
Stamp Square shown in RAL #6003 Olive Green powder coat finish with antique brass accents. Architecture by Dufford Young. Interiors by Celadon Home.
Stamp Square
From top: Pop shown in antique brass finish with antique brass inset. Maison shown in antique brass finish. Interiors by Gina Holz.
Pop
Lundy Flushmount size regular shown in antique brass finish with antique brass accents. Interiors by Nylon Consulting. Photography by Patrick Cline.
Lundy Flushmount
Pop Round shown in heirloom finish with RAL #3013 Tomato Red powdercoat inset and Ferrowatt clear bulb. Interiors by Beata Heuman. Photography by Simon Brown.
Pop Round
Lanesborough shown in blackened pewter finish with translucent antique mirror glass. Interiors by Foley & Cox.
Lanesborough
Matthew shown in heirloom finish with etched ribbed glass.
Matthew
Lundy Flushmount shown in Farrow & Ball No. 24 Ballroom Blue with polished nickel accents. Interiors by Christine Markatos.
Lundy Flushmount
Bishop shown in zinc finish with zinc accents. Interiors by Gramercy Design. Photography by Shade Degges.
Bishop
Stamp hang regular shown in RAL #6009 Fir Green powder coat finish with antique brass accents. Interiors by Elena Phillips. Photography by Jane Beiles.
Stamp
Yves Flushmount shown in polished brass with pot white glass. Interiors by Foley & Cox.
Yves Flushmount
Lundy Flushmount shown in Farrow & Ball No. 26 Down Pipe paint selection finish with polished brass unlacquered accents. Interiors by Bailey Vermillion. Photography by Kerry Kirk.
Lundy Flushmount
Punch shown in polished nickel finish with bronze accents. Interiors by Meadors Inc. Architecture + Interior Design. Photography by Katie Charlotte.
Punch
Kardamyli shown in heirloom finish with lavender glass and milk glass accents. Interiors by Cravotta Interiors. Photography by Ryann Ford.
Kardamyli
Porte shown in RAL #5007 Brilliant Blue powder coat finish with polished nickel accents. Interiors by Christine Markatos.
Porte
Marin V.1 shown in hewn brass finish with cerused ebony wood. Interiors by Jen Langston.
Marin V.1
The Flat shown in polished brass finish with RAL #3003 Ruby Red accent. Interiors by Lyon Field. Photography by Jane Beiles.
The Flat
Yves Flushmount shown in antique brass finish with pot white glass. Interiors by Gerald Pomeroy.
Yves Flushmount
Bishop shown in zinc finish with zinc accents. Interiors by Gramercy Design. Photography by Shade Degges.
Bishop
Mette shown with etched glass.
Mette
Yves Flushmount shown in hewn brass lacquered finish with milk glass. Interiors by Liz Caan.
Yves Flushmount
Lundy Flushmount shown in Farrow and Ball #30 Hague Blue paint selection finish with zinc accents. Interiors by Wendy Word. Photography by Ryan Garvin.
Lundy Flushmount
The Flat shown in hewn brass finish and black accents. Interiors by Melissa + Miller Interiors. Photography by Nathan Schroder.
The Flat
The Flat shown in heirloom finish with black accents. Interiors by Brown Design Group. Photography by Matt Wier.
The Flat
Jackson shown in white finish with antique brass secondary finish and gilt accents. Interiors by Jenkins Interiors. Photography by Framework Creative.
Jackson
From left: Folie Flushmount shown in white finish. Hibiscus Floor shown in heirloom finish with heirloom accents and shade SH-148E-WHT-LIN. Interiors by Tim Campbell. Photography by Karyn Millet.
Folie Flushmount
Farmleigh shown in blackened pewter finish with milk glass, customized. Interiors by S.R. Gambrel. Photography by Eric Piasecki.
Farmleigh
Lundy Flushmount size regular shown in polished nickel finish with polished nickel accents. Interiors by Elizabeth Bauer Design. Photography by Francesco Lagnese.
Lundy Flushmount
Stamp hang large shown in RAL #7038 Agate Grey powder coat finish with polished brass unlacquered accents. Interiors by Lola & Bess.
Stamp
Yves Flushmount shown in hewn brass finish with pot white glass. Interiors by Carlyle Design.
Yves Flushmount
NYC shown in polished nickel finish with Benjamin Moore #2003-10 Million Dollar Red accents and etched glass. Interiors by Ike Kligerman Barkley. Photography by William Waldron.
NYC
Thadd shown in pewter finish with seeded glass. Interiors by MG Interiors.
Thadd
Chisholm Hall shown in heirloom finish with clear glass, customized. Interiors by Kate Marker. Photography by John Stoffer.
Chisholm Hall
Yves Flush shown in polished brass and pot white glass. Interiors by Bailey Austin Design. Photography by Laurey Glenn.
Yves Flushmount
Lanesborough shown in antique brass finish with translucent antique mirror on milk glass and translucent mirror on cobalt blue glass accents. Interiors by Phillip Thomas Interiors. Photography by Michael Mundy.
Lanesborough
Yves Flush shown in bronze finish with translucent antique mirror on milk glass. Interiors by Kathleen Hay Designs.
Yves Flushmount
Marin V.2 shown in white finish with cerused oak wood.
Marin V.2
The Flat shown in heirloom finish with RAL#7012 Basalt Grey accent. Interiors by Tracey Hardenburg.
The Flat
From left: Farmleigh shown in blackened pewter finish with hammered black secondary finish and hewn brass accents, customized. The Hand Sconce shown in heirloom finish. Interiors by Build Theory. Photography by Morgan Lone Yeager.
Farmleigh
From top: Jackson shown in RAL #7035 Light Gray powder coat with hewn brass secondary finish and polished brass accents. Pop Round shown in heirloom finish with with RAL #9016 Traffic White powder coat inset and Ferrowatt clear bulb. Interiors by Toledo Geller. Photography by Jacob Snavely.
Jackson
Bishop shown in hewn brass finish with hewn brass accents. Interiors by Workstead.
Bishop
Kardamyli shown in heirloom finish with lavender glass and milk glass accents.
Kardamyli
Forme shown in antique brass finish with heirloom accents and smoke acrylic panels. Interiors by Heather Wilson.
Forme
Porte shown in blackened pewter finish with antique brass accents. Interiors by Alberto Villalobos. Photography by Eric Piasecki.
Porte
Betty Flushmount shown in antique brass finish with etched glass. Interiors by Christine Markatos. Photography by Manolo Langis.
Betty Flushmount
The Flat shown in antique brass finish with custom powder coat match Benjamin Moore HC-156 Van Deusen Blue accents. Interiors by MS Vicas.
The Flat
Porte shown in RAL #9010 Pure White power coat finish with RAL #9010 Pure White powder coat accents. Interiors by Basic Projects.
Porte
Rookery shown in polished nickel finish with polished nickel accents and etched glass. Interiors by Steven Gambrel.
Rookery
Yves Flushmount shown in polished brass unlacquered finish with translucent antique mirror on milk glass. Interiors by Munger Interiors. Photography by Michael Hunter.
Yves Flushmount
Rex Flushmount shown in bronze with hewn brass accents. Interiors by Ken Fulk as seen in Legacy Records, London, UK.
Rex Flushmount
Lundy Flushmount shown in Farrow & Ball No. 30 Hague Blue paint selection finish with polished brass unlacquered accents. Interiors by Christine Markatos.
Lundy Flushmount
Bishop shown in Benjamin Moore #2175-50 Peach Blossom paint selection finish with Benjamin Moore #2175-50 Peach Blossom accents. Interiors by Ken Fulk. Photography by Reagan Petrehn.
Bishop
Bishop shown in vintage finish with vintage accents. Interiors by Heidi Caillier Design. Photography by Haris Kenjar.
Bishop
Lundy Flushmount shown in RAL #6003 Olive Green powder coat finish with hewn brass accents. Interiors by Charlotte Lucas.
Lundy Flushmount
Jackson shown in bronze finish with antique brass secondary finish and antique brass accents. Interiors by Allison Elebash Interiors. Photography by Julia Lynn Photography.
Jackson
Yves Flushmount shown in antique brass with pot white glass. Interiors by SLC Interiors. Architecture by Brooks & Falotico. Photography by Jennifer Holt.
Yves Flushmount
Lundy Flushmount shown in black finish with polished brass unlacquered accents. Interiors by Lily Mae Design. Architecture by Thomson & Cooke. Photography by Hoachlander Davis.
Lundy Flushmount
Cubism shown in RAL #9010 Pure White powder coat finish with Farrow & Ball #256 Pitch Black interior.
Cubism
Stamp Triple shown in bronze finish with heirloom accents. Interiors by Stephanie Molster. Architecture by Dufford Young.
Stamp Triple
Yves Flushmount shown in hewn brass lacquered finish and translucent antique mirror glass. Interiors by Hollis Erickson Design. Photography by Marni Rothschild Durlach.
Yves Flushmount
Folie Flushmount shown in hewn brass lacquered finish.
Folie Flushmount
Yves Flushmount shown in black finish with milk glass. Interiors by Ike Kligerman Barkley.
Yves Flushmount
The Flat shown in hewn brass lacquered finish with black accents. Interiors by Wendy Word. Photography by Lauren Pressey.
The Flat
Punch shown in antique brass finish with antique brass accents. Interiors by Jenny Wolf.
Punch
Lex shown in darkened copper finish with etched glass and translucent antique mirror glass accents. Interiors by Josh Greene Design. Photography by Shade Degges.
Lex
The Flat shown in bronze finish with polished nickel accents, modified. Interiors by Mark Cunningham. Architecture by Austin Patterson Disston Architects. Photography by Kyle Knodell.
The Flat
Kardamyli shown in heirloom finish with lavender glass and milk glass accents. Interiors by Ellen Kavanaugh Interiors.
Kardamyli
Yves Flushmount shown in polished brass finish with pot white glass. Interiors by Munger Interiors. Photography by Julie Soefer.
Yves Flushmount
Kardamyli shown in heirloom finish with lavender glass and milk glass accents. Interiors by Alexander Doherty. Photography by Marius Chira.
Kardamyli
Jackson shown in white finish with antique brass secondary finish and polished brass accents, modified. Interiors by Sutro Architects.
Jackson - Modified
From top: Forme shown in white finish with hewn brass accents and aqua acrylic panels. The L shown in white finish. Interiors by Jen Langston.
Forme
Lex shown in antique brass finish with pot white glass and etched glass accents. Interiors by Philip Mitchell.
Lex
Jackson shown in bronze finish with hewn brass secondary finish and hewn brass accents. Interiors by Ken Fulk as seen in Legacy Records, New York, NY.
Jackson
Rex Flushmount shown in black finish with aged lacquer accents.
Rex Flushmount
Lucien size large shown in bronze finish with antique brass accents and etched on wire glass. Interiors by Scheer & Co. Photography by Ryann Ford.
Lucien
Marin V.1 shown in polished brass finish with cerused ebony wood. Interiors by Hendricks Churchill.
Marin V.1
Pipe Flushmount shown in RAL #5009 Azure Blue powder coat finish with hewn brass accents. Interiors by Samantha Todhunter Design.
Pipe Flushmount
Porte shown in white finish with polished nickel accents. Interiors by Roost Interiors. Photography by Raquel Langworthy.
Porte
Cubism shown in RAL #7037 Dusty Grey powder coat finish with hewn brass interior, modified. Interiors by Michael Amato.
Cubism - Modified
Thadd shown in Benjamin Moore #1678 Blue Nose paint selection finish with milk glass, customized. Interiors by J. Jones Design.
Thadd - Modified
Porte shown in white finish with polished nickel accents. Interiors by Roost Interiors. Photography by Raquel Langworthy.
Porte
Malplaquet Flushmount shown in white finish with polished nickel accents and partially etched glass. Interiors by Page Louisell. Photography by Leslee Mitchell.
Malplaquet Flushmount
Chisholm Passage Round shown in white finish with etched glass, customized. Interiors by Ellen Kavanaugh Interiors.
Chisholm Passage Round
From top: Lex shown in antique brass finish with pot white glass and etched glass accents. Garrison Wall shown in heirloom finish with partially etched glass. Interiors by Philip Mitchel Design.
Lex
The Flat shown in heirloom finish with RAL #7012 Basalt Grey accent. Interiors by Tracey Hardenburg.
The Flat
From top: Lanesborough shown in polished nickel finish with pot white glass and milk glass accents. Garrison Wall shown in polished nickel finish with clear glass, customized. Interiors by Ellen Kavanaugh Interiors.
Lanesborough
From left: Folie Flushmount shown in hewn brass lacquered finish. Chisholm Clean shown in black with hewn brass lacquered accents and clear glass, customized. Interiors by Wendy Word. Photography by Ryan Garvin.
Folie Flushmount
Cubism shown in RAL #9010 Pure White powder coat finish with Farrow & Ball #256 Pitch Black interior. As seen at Henrybuilt's SoHo showroom. Photography by Daniel Bernauer.
Cubism
Marin V.1 shown in polished nickel finish with cerused oak wood. Interiors by Tracy Hardenburgh Designs.
Marin
Punch shown in antique brass finish with antique brass accents.
Punch
Mini Lex shown in gunmetal finish with translucent antique mirror on milk glass and milk glass accents. Interiors by Foley & Cox.
Mini Lex
Kardamyli shown in heirloom finish with lavender glass and milk glass accents.
Kardamyli
Jackson shown in white finish with hewn brass secondary finish and hewn brass accents. Interiors by Ellen Kavanaugh.
Jackson
From top: Marin V.1 shown in polished nickel finish with walnut wood. Hull shown in hewn brass finish and Benjamin Moore #2060-10 Symphony Blue custom powder coat match accents and opal glass. Interiors by Foley & Cox.
Marin V.1
Lanesborough shown in antique brass finish with translucent antique mirror on milk glass and translucent mirror on cobalt blue glass accents. Interiors by Philip Mitchell.
Lanesborough
Brick shown in blackened copper finish with milk glass.
Brick
NYC shown in polished nickel finish with Benjamin Moore #2025-30 New Lime accents and etched glass.
NYC
Chisholm Passage Square shown in custom powder coat match Benjamin Moore #2169-30 Oriole finish with pot white glass. Interiors by Massucco Warner Miller.
Chisholm Passage Square
Marin V.2 shown in white finish with cersued oak wood. Interiors by Brooke Wagner Design.
Marin V.2
Pop Round shown in hewn brass finish with hewn brass inset and Ferrowatt clear bulb. Interiors by Charles and Co. Design.
Pop Round
Punch shown in polished nickel finish with bronze accents.
Punch
Jackson shown in blackened pewter finish with hewn brass secondary finish and hewn brass accents. Interiors by Noelle Interiors.
Jackson
Chisholm Passage Round shown in pewter finish with pot white glass. Interiors by Ike Kligerman Barkey Architects.
Chisholm Passage Round
Betty Flushmount shown in hewn brass with Benjamin Moore #BM-008 Pale Pink accents and etched glass, customized. Interiors by Ellen Kavanaugh.
Betty Flushmount
Lex shown in antique brass finish with translucent antique mirror on clear glass, customized. Interiors by Maggie Nielson.
Lex - Modified
Bishop shown in hewn brass finish with hewn brass accents. Interiors by Michael Amato.
Bishop
Jackson shown in RAL #1027 Curry powder coat finish with polished nickel secondary finish and gilt accents.
Jackson
Marin V2 shown in Cerused Oak and White.  Interior by Gina Holtz Designs
Marin v2
Lundy Flushmount shown in Benjamin Moore #HC-169 Coventry Gray paint selection with polished brass unlacquered accents. Whitby shown in polished brass unlacquered finish with shade SH-140C-WHT. Interiors by Christine Lane Interiors. Photography by Evan Sklar.
Lundy Flushmount
From top: Punch shown in polished nickel finish with bronze accents. Linc-Less shown in antique brass finish. Interiors by Tulley Filmer as seen in Flemings Mayfair, London, UK.
Punch
Pop shown in hewn brass finish with custom wallpaper inset and white globe bulb. Interiors by Garden & Gun as seen at the Field Shop at the Dewberry, Charleston, SC.
Pop
NYC shown in polished nickel finish with Benjamin Moore #2067-10 Midnight Navy accents and etched glass.
NYC
Malplaquet Flushmount shown in RAL #7038 Agate Grey powder coat finish with bronze accents and partially etched glass. Interiors by Michael Amato.
Malplaquet Flushmount
Jackson shown in bronze finish with antique brass secondary finish and gilt accents. Interiors by Amanda Barnes.
Jackson
Chisholm Passage Round shown in white finish with pot white glass.
Chisholm Passage Round
NYC shown in polished nickel finish with Benjamin Moore #2003-10 Million Dollar Red accents and etched glass.
NYC
From left: Bohicket Wall shown in hammered black finish with seeded glass. Malplaquet Flushmount shown in white finish with black accents and partially etched glass. Interiors by Noelle Interiors.
Malplaquet Flushmount
Vitrine shown in Benjamin Moore #HC-61 New London Burgundy paint selection finish with polished nickel accents. Interiors by Marea Clark. Photography by Brad Knipstein.
Vitrine
Punch shown in polished nickel finish with bronze accents. Interiors by Josefa Buckingham Design.
Punch
Punch shown in polished nickel finish with bronze accents.
Punch
Kardamyli shown in heirloom finish with milk glass and milk glass accents.
Kardamyli
Jackson shown in bronze finish with antique brass secondary finish and gilt accents. Interiors by David Thompson Architect as seen in FIG, Charleston, SC.
Jackson
Vitrine shown in RAL #8000 Green Brown powder coat finish with polished nickel accents.
Vitrine
Punch shown in polished nickel finish with bronze accents. Interiors by Ellen Kavanaugh.
Punch
Kardamyli shown in heirloom finish with lavender glass and milk glass accents, customized. Interiors by Steven Gambrel.
Kardamyli
Lundy Flushmount shown in Benjamin Moore #031 Georgia Peach paint selection finish with hewn brass accents. Interiors by Amie Corley.
Lundy Flushmount
Pop shown in polished nickel finish with RAL #4010 Telemagenta powder coat inset and Ferrowatt clear bulb. Interiors by Jenny Fischbach.
Pop
From top: Brick shown in vintage finish with milk glass. Piedmont shown in bronze finish with seeded glass.
Brick
Pop shown in black finish with white power coat inset and Ferrowatt clear bulb.
Pop
Jackson shown in black finish with black secondary finish and black accents. Interiors by Cari Berg Design.
Jackson
Bishop shown in bronze finish with bronze accents. Interiors by Cortney Bishop Design.
Bishop
Betty Flushmount shown in hewn brass finish with translucent antique mirror glass. Handle sconces shown in hewn brass finish with cerused ebony wood and shade SH-146E-PT (Benjamin Moore #HC-150 Knoxville Gray). Interiors by Munger Interiors. Photography by Michael Hunter.
Betty Flushmount
Jackson shown in polished nickel finish with gunmetal secondary finish and hewn brass accents. Interiors by Lewis Interiors.
Jackson
Folie Flushmount shown in white finish.
Folie Flushmount
Urban Electric lighting
Capse Flush
Brick shown in bronze finish with pot white glass.
Brick
Lundy Flushmount shown Benjamin Moore #PM-7 Platinum Gray paint selection finish with polished brass accents. Interiors by Michael Amato.
Lundy Flushmount
Lundy Flushmount shown in Farrow & Ball #30 Hague Blue paint selection finish with zinc accents. Interiors by Wendy Word.
Lundy Flushmount
Marin V.2 shown in RAL #6032 Signal Green powder coat finish with cerused oak wood. Interiors by Jenny Fischbach.
Marin V.2
Kardamyli shown in heirloom finish with pot white glass and pot white glass accents. Interiors by Liz Caan.
Kardamyli
Lundy Flushmount shown in Benjamin Moore #PM-7 Platinum Gray paint selection finish with bronze accents. Interiors by Lewis Interiors.
Lundy Flushmount
Stamp hang regular shown in RAL #5003 Sapphire Blue powder coat finish with hewn brass accents.
Stamp
Lex shown in blackened pewter finish with ice glass.
Lex
Marin V.2 shown in white finish with cersued oak wood. Interiors by Cortney Bishop Design.
Marin V.2
Lex shown in bronze finish with seeded glass, customized. Interiors by Alexis Hughes & Co.
Lex - Modified
Chisholm Passage Square shown in pewter finish with pot white glass.
Chisholm Passage Square
Lundy Flushmount shown in RAL #5009 Azure Blue powder coat finish with polished nickel accents. Interiors by Monica Fried Design.
Lundy Flushmount
Lex shown in antique brass finish with pot white glass and etched glass accents, customized. Interiors by Foley & Cox.
Lex - Modified
Punch shown in polished nickel finish with bronze accents, customized. Interiors by Hillary Thomas Designs.
Punch